Interview with André Guedes, set designer, on his use of drawing for, A Dama das Camélias, directed by himself and João Garcia Miguel.
Amândio Anastácio, on O Fim do Fim.
Interview with Amândio Anastácio, set designer, on his use of drawing for, O Fim do Fim, directed by himself and João Garcia Miguel.
Rui Francisco, on Purgatório.
Interview with Rui Francisco, set designer, on his use of drawing for, Purgatório by Dante Alighieri, directed by João Brites.
Isabel Barros e Claúdia Ribeiro, on Lições de Voo.
Interview with Isabel Barros, choreographer and director, and Claúdia Ribeiro, costume designer, on their use of drawing for, Lições de Voo using illustrations by João Vaz de Carvalho.
Fernando Alvarez, on Peter and Alice.
Interview with Fernando Alvarez, set and costume designer, on his use of drawing for, Peter and Alice by John Logan, directed by Carlos Avilez.
Clara Bento, on Os Netos de Gungunhana.
Interview with Clara Bento, costume designer, on her use of drawing for Os Netos de Gungunhana by Mia Couto directed by João Pires.
Ana Paula Rocha, on A Boa Alma de Sé-Chuão.
Interview with Ana Paula Rocha, costume designer, on her use of drawing for A Boa Alma de Sé-Chuão, by Bertold Brecht, directed by Peter Kleinert.
José Carlos Faria, on A Paz.
Interview with José Carlos Faria, costume and set designer at Teatro da Rainha, on his use of drawing for A Paz, by Aristófanes, directed by Fernando Mora Ramos.
Ana Rosa Assunção, on Cinzas.
Interview with Ana Rosa Assunção, costume and graphic designer at A Escola da Noite, on her use of drawing for Cinzas..., by Harold Pinter, directed by Rogério de Carvalho.
