Drawing and Performance: Creating Scenography
On how drawing is used in creating scenography for theatre, dance and performance.
From Skin to Presence: Sculpting in Rehearsal as a Process of Creation in Costume Design, by Filipa Malva Our research project looks at the way drawing is used during the creative process of scenography within the performance arts, and it aims at generating a public digital database which can be used as a source for... Continue Reading →
Processes of communication such as verbal discussion or sketching allow solutions to remain open while rehearsing a theatre production. Depending on the purpose or concept behind it, this characteristic can be either desirable or a hindrance to the development of the scenography. The decision to use a specific process of communication depends on the scenographer’s... Continue Reading →
O abandono progressivo do desenho como ferramenta pedagógica no ensino das artes performativas tem tido consequências nas suas práticas, que têm sido mais suportadas pela recolha de imagens e reciclagem de composições pré-existentes em domínio público. Há no entanto um interesse crescente pelas metodologias coletivas de criação do espetáculo. E o desvio do processo criativo... Continue Reading →
TerPsiCore é um arquivo de documentos sobre dança e artes performativas, tanto em suporte físico como digital, incluindo programas de espectáculos, artigos de imprensa (críticas, antevisões e artigos de opinião), documentos iconográficos (cartazes, postais e fotografias) e vídeos. O arquivo é um projecto do INET-md, Instituto de Etnomusicologia - centro de estudos em música e... Continue Reading →
This research project, housed at INET-md's Dance Studies Group, intents to look at the way drawing is used during the creative process of scenography within the performance arts, and generate a public digital database which can be used as a source for discussion and reflection by practitioners and academics alike. It is our intention to... Continue Reading →
